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Reviews:
Eileen Hazel ~ My Interesting Condition Artist: Eileen Hazel
Home: San Francisco, California Style: Pop, Country, Folk Quote: "Take a closer listen - this is everyone's interesting condition". By Les Reynolds Eileen Hazel's latest release is interesting, indeed. A mix of pop, country and folk, the San Francisco bay- area artist penned nine original of the 10 tunes for an eclectic musical experience. The Minnesota native's engaging voice is clear and fluid. Her writing is well crafted and the CD utilizes a mix of tempo, lots of excellent vocal harmonies from Root & Green and excellent guitar and mandolin sounds from producer Lisa Zeiler. Percussion, supplied by Paulo Baldi, plays a very important and pleasantly noticeable part on several selections. Some of the best tunes (instrumentally speaking) are: "Seed," which features Rick Auerbach with some understated and well-placed and played electric guitar; the country "Epiphany," with great pedal steel from Jeff Baldwin and vocal harmony from Avram Siegel (Kathy Kallick Band) and "Pixie Dance" - an appropriately named piece of "instrumental mischief" (quote from the bio sheet) on Appalachian dulcimer. (An exquisite tune!) Lyrics? Plenty of good ones. One notable song is "Fooling Me," which the bio sheet characterizes as "a lighthearted look at the woes of love and evolution. Well, when a writer says
"...Once I believed, but it seems I was wrong - that's kinda light. But that's not all. Eileen continues in the same song: "...Her behavior is
genetic, She can be very, very serious, too. "Terrorist," was written during the 1998 bombing of Iraq, then updated to include the situation with Afghanistan. She basically asks the same questions Bob Dylan asked many years ago in "Masters of War," (only without the vocal snarl) and wrote it in the vein of Jackson Browne's "Lives in the Balance": "In Iraq, people are
dying
Poignant, and interesting, questions for the listener, the world, to ponder. Take a closer listen - this is everyone's interesting condition. Yes, yours, too. |